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» OCW Home » Producing Films for Social Change
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Objectives
- Producing Films for Social Change offers students a rigorous academic curriculum focusing on journalistic ethics and hands on experience, where they learn to research, pitch, interview, shoot, write and edit their own short films.
- Students travel off campus to interview people from all walks of
life, working with non-profits and community organizations to create films with a powerful social message.
- The mission of the class is to give students the media tools and resources that will prepare them for lifetimes of active
citizenship and service to society.
- Through a campus film screening at the end of the semester open to the campus and the surrounding community, students in the class hope to elevate the dialogue on campus about important public issues and demonstrate the power of media to create an institutional culture of civic discourse.
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Course Requirements
This course will require a serious time
commitment because students will be learning about journalism as well
as production. Plan for approx. 10 hours/week: 4 hours in class, 2 hours in the
Lab and 2-4 hours of homework during the first half of the semester. Later,
most of the work will be shooting and editing. There is no final exam, but know
that the final film will require large amounts of editing time.
Students will be divided into teams of 4, each team will
produce a 10-minute film on a public policy/social issue pitched by students
and approved by the Executive and Senior Producers. Each student will be
required to write critiques of TV programs, a paper on the Hockenberry book and
a final journal reflecting on the filmmaking experience. Everyone is expected
to prepare for and participate in class discussions, and to be a good team
player. There will be one mandatory individual meeting with the professor to
discuss papers and student progress. Late work will not be accepted. Class and
lab attendance is required. Absences must be reported in advance (excused only
for emergencies).
Weekly Schedule
Please Note: This is not a traditional
class - our schedule and syllabus assignments may change due to news events,
student interests, production and scheduling issues, and guest speaker
availability. We're covering current event stories -- be prepared to be
flexible.
This course uses a "Course Reader", which is a compilation of published materials from many different sources. Please reference the Weekly Readings document for complete citations of the readings mentioned below. You will also find them linked to the appropriate week on the "Readings" schedule.
1. Introduction
Review syllabus, course requirements, newsroom setup; discuss
students' experience in journalism and social change. Screen Tufts
student films from previous classes and discuss the role of media and civic
engagement. Students will write a personal statement in class.
2. Intro -- TV News Magazines, Documentaries &
Using Media for Positive Social Change
Discuss student story ideas. Overview of the TV news
and documentary business: the recent scandals involving unethical journalistic
practices, the proliferation of Web-based media, network and cable non-fiction
media, independent documentaries, tabloid and reality shows. Talk about what
gets on the air, who gets on, and who is excluded; the impact of demographics,
advertising and ratings; the importance of the Internet as an advocacy tool.
Screen clips from Edward R. Murrow's documentary "Harvest of
Shame" and "Los Colonias" from CBS "60 Minutes."
DUE:
- Be prepared to discuss your story ideas in class.
- Read Course Reader, Week 1
3. Camera Workshop #1
Shooting broll & recording an interview, taught
by Don Schechter.
DUE:
- Write a 2-page critique of any news magazine or
documentary program focusing on storytelling and the use of visual images,
lighting, and camera angles
- Read Course Reader, Week 2
- Buy small 3-hole binder for production lab materials
4. Editing Workshop #1
Taught by Don Schechter.
5. New Media... New Journalism and Smarter Web
Surfing
* Guest speaker: Sreenath
Sreenivasan, Professor of New Media and Dean of Students, Columbia
University Graduate School of Journalism, tech guru, WABC-TV, co-founder South
Asian Journalists Association
Sree will give a web research seminar and discuss
the role of new media as a tool for social change. Students will learn how to
get accurate information from reliable sources on the Internet. Sree has
coached more than 6500 journalists including investigative reporters from The
New York Times, The Wall Street Journal, and 20/20.
DUE:
- Surf the web and read about Sree's work at:
www.sreetips.com,
www.whatsnextonline.com/webinars/sree,
www.abclocal.go.com/wabc/technology
6. How to Research and Pitch Stories & the
Importance of Ethics in Journalism
Newsroom discussion about the programs that students
screened and critiqued. Review the ethical rules of journalism; how to research
a story; find sources and characters; how to write a good pitch that focuses on
"characters in conflict," and the visuals you plan to film. Screen
"Dateline; Veil of Tears" about the impact of the Taliban on Afghan
women.
DUE:
- Read Intro & Chapters 1, 2, 3 of Elements of
Journalism and prepare to lead a class discussion on these chapters
- Write a 1-page pitch for a story idea and be prepared to
discuss it in class.
7. Camera & Sound Workshop #2
How to record natural sound, taught by Don
Schechter.
DUE:
- Write a 2-page critique of any news magazine or
documentary program focusing on interview techniques, lighting, framing and
editing.
- Read Course Reader, Week 3
8. Lab - Editing Workshop #2
Taught by Don Schechter. Screen and capture footage
for mini-movies.
9. The Impact of Hip Hop on Society & Cultural
Media Literacy & Civic Engagement
* Guest speaker: Ukumbwa
Sauti, independent producer, cameraman, editor,
musician
Ukumbwa will show examples of various media from
TV, film, news, the internet and advertising and discuss the way media
"stereotypes" people and stories by race, nationality, gender,
ability, and age. He will talk about how the media can be used to distort
issues for political purposes, and how it can be used for both negative and
positive social change. He will also address the impact of media
conglomeration.
DUE:
- Each team hands in a 1-page research outline for your
story
- Read Ch. 4, 5, 6 of Elements of Journalism and prepare
to lead class discussion
- Read:
www.pbs.org/wgbh/pages/frontline/shows/cool/giants
& www.projectthinkdifferent.org
10. Newsroom Trip to WCVB & Meet Anthony
Everett
Meet the news director and learn about production
schedules, assignments, news rundowns and how a newsroom operates. Tufts alum
and WCVB anchorman, Anthony Everett, will meet with students to discuss his
career and the news business.
11. Library Research Skills Training & Discuss
Story Pitches
Taught by Connie Reik, Associate Librarian. Meet in
the library research training room to learn how to use the library tools to
research stories, find experts, headlines, and statistics. Attendance is
mandatory.
DUE:
- Check websites:
www.mediathatmatters.org,
www.moveon.org,
www.current.tv,
www.poynter.org,
www.cjr.org,
www.journalism.org
- Read p. 1-150 of John Hockenberry's Moving
Violations
- Read Course Reader, Week 4
12. Editing Workshop #3
Taught by Don Schechter.
13. Camera Workshop #3 - Interviews and Lighting &
Screen Mini Movies
Taught by Don Schechter.
DUE:
- Work on mini movies
14. Advocacy Vs. Documentary
Journalism
* Guest speaker, Margie
Reedy, former TV news anchor & Tufts University College Senior
Fellow
Debate the difference between advocacy journalism,
documentaries, and Fox News, Network News, CNN, and non-fiction films. Screen
Margie's film, "Cable News Goes to War." Margie will discuss
the role of a reporter in news reporting; how to prepare for an interview, how
to get subjects to open up, and tips for script writing.
DUE:
- Read p.150-300 of Hockenberry
- Read Course Reader, Week 5
15. The Art of the Interview, Production Planning
& Script Writing
Learn how to: find the right person to interview,
book the interview, conduct it in a refined manner; find a story with a strong
character in conflict; write questions, interpret body language, make your
subject feel comfortable, ask tough questions. We will also discuss how to
handle emotional interviews and relationships with your characters. We will
review how to create a production schedule, write scripts, and handle team
dynamics. Screen CBS, Ed Bradley profile "BB King: King of the
Blues." Good writing is essential to connect hours of tape and create a
compelling story. We will review the basic techniques for script-writing and
structuring stories.
DUE:
- Hand in typed production schedule, list of characters
and contacts
- Read Course Reader, Week 6
16. Isaac Brody on Independent
Filmmaking
* Guest speaker: Isaac
Brody, Independent Documentary producer (Tufts
alum)
Isaac Brody will talk about getting work as an
independent filmmaker and will screen his film "Sipho and Joyce" produced for
UNICEF Swaziland about AIDS orphans. Isaac's documentary was selected for
the 2005 Boston International Film Festival and the Zimbabwe International Film
Festival. He will discuss how to plan shoots, book interviews, organize broll,
production notes, plan editing sessions, and work in teams.
DUE:
- Hockenberry Critique 5-6 pages due in class
- Script Outline #1 due via email (feedback will be given
over weekend via Email)
17. Special Film Screening - "Emmanuel's
Gift"
Guest speakers are the producers, Tufts alums (and
sisters) Lisa Lax and Nancy Stern. Film is narrated by Oprah Winfrey.
Check: http://www.emmanuelsgift.com/
18. Crisis in American Media and The Reporter's
Role
* Guest speakers: Edie Magnus,
"Dateline NBC" Correspondent and Wendy Murphy, attorney, law
professor and TV news commentator
Edie will discuss the role of a correspondent in
network news magazine stories; Wendy will discuss the role of the expert
"commentator." They will both address how they prepare for
interviews and deal with sensitive subjects and ethical dilemmas. We will also
address the way the media covers issues of sexual violence and child welfare;
the CBS News scandal, Judith Miller's imprisonment and the ethical issues
that arise when journalists become advocates. Screen clips from Edie and
Wendy's stories. Teams will give progress reports on their stories.
DUE:
- Read Course Reader, Week 7
- Script timeline with verbatim summaries of the story due
in class
19. Media Law and Ethics
* Guest speaker, Lisa Green, VP Standards
& Practices, NBC News, New York
Lisa Green, attorney and former journalist, will
discuss the role of the Standards and Practices department in NBC's news
division. In the wake of the recent scandals involving unethical journalistic
practices (CBS News, the New York Times), journalists must work even harder to
gain the public trust. At the same time, journalists like Judith Miller are
willing to go to jail to protect their confidential sources. How can
journalists protect their sources in the current political environment? We will
also discuss the ethical practices that are essential to regain public trust;
how a reporter should represent her/himself, the First Amendment, hidden
cameras, national security, and Freedom of Information Act.
DUE
- Read ch. 7, 8, 9, 10 of Elements of
Journalism and prepare to lead discussion
- Script #1 is due
20. The Power of the Media to Affect Social
Change
* Guest speaker: Sherezade Daruvalla King,
founder, "Project Think Different"
We will discuss: what is social change, how is it
different from individual and cultural change, examples of achievements in
social change, how social change is accomplished, where can media projects fit
in to the organizing process. We will also address social issue reporting and
why it is difficult to get investigative stories about human rights, race,
gender, poverty, and the environment aired on network TV. What is the role of
advocacy groups like "Witness" or "Human Rights Watch"? Sherezade
will discuss the mission of her non-profit, "Project Think
Different," to help young people use the media to express their passions
and share their messages of social and political change. She will also discuss
issues of the "digital divide."
DUE:
- Script #2
- Check website for:
www.projectthinkdifferent.org
and screen films and listen to music on the site. Prepare questions for guest
speaker.
- Read Course Reader, Week 8
21. Media Images of Women
* Guest speaker: Professor Diane Rosenfeld,
Harvard Law School
Professor Rosenfeld will screen and discuss her
film, "Rape Is," and address issues of sexual violence and the law. Rosenfeld
will also screen "After Killing us Softly" and lecture on media
images of women. Screen "Rape Is" in class.
DUE:
- Research film: www.rapeis.org,
www.cdf.org, prepare questions
for Prof. Rosenfeld, bring examples of how women are represented in magazines
- Read Course Reader Week 8
22. Work on Scripts and Editing
Due:
- Script #3
23. Making Films that Make a
Difference
* Guest speaker: Margaret Lazarus, Academy
Award winning filmmaker and Founder of Cambridge Documentary Films
Margaret Lazarus will discuss how she got into the
business of making docs for social change, and how to use documentaries to
advocate for change. We will screen clips from her films and screen two student
films - first rough cuts.
Due:
- Edited film should reflect script changes
- Research Margaret Lazarus,
www.cambridgedocumentaryfilms.org,
www.newenglandfilm.com/news/archives/02september/lazarus.htm
24. Screen & Critique Rough Cut #1
* Guest speaker: Sue Cohn, independent
filmmaker
Sue will screen and critique 2 student films and
discuss "How to Make a Film on a Shoestring Budget."
Due:
- Film Cut #1
25. Character Development and
Story-Telling
Due:
- Film Cut #2 with revisions from Tuesday
screening
26. Reporting on Social Justice and Race
Issues
* Guest speaker: Jason Samuels,
"Dateline" NBC Producer
Screen "A Pattern of Suspicion," a
documentary about racial profiling, produced by DuPont-Columbia Award winning
investigative producer, Jason Samuels for "Dateline NBC." Jason
will address: coverage of race in the media, the use of the media as an
educational tool for social change, and the inside scoop on airing the story.
Samuels will also discuss his career path at NBC.
27. Screen Cut #3
Due:
- Film Cut #3 with changes from Tuesday's screening
28. Final Cuts Due - Teams Work With Don Schechter on
Post Production
29. Work on Fact Checking, Source Lists, Tape Logs,
Film Festival Submissions
30. Students' Lessons Learned
Dress rehearsal for final screening. Discuss student
experiences in filmmaking, interacting with characters and what potential
impact the films may have. Also, lessons learned through this process. Screen
other college video media.
32. Fill Out Film Festival Forms, Contact Lists,
Organize Tapes for Archives
Grades
- 40% film
- 30% individual student papers
- 30% class participation
Sourcing
Students will be required to provide the name, address,
phone number and email of all story sources. As in a professional news
organization, I will periodically call sources to check on the accuracy of the
information. These source lists will allow you to do what every professional
reporter does:
a) "fact check" - check back with sources to
confirm a point or add a detail and
b) build a resource list of people to call upon for
future stories.
Papers
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Two (2-page) critiques of news programs or
documentaries such as: PBS "Frontline," "60 Minutes,"
"20/20," "Dateline," "48 Hours,"
"Nightline."
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One (4-5 page) reaction paper to:
Hockenberry, John. Moving Violations. Hyperion Press. New York,
New York 1995
- One (4-5 page) reflection paper
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Write and produce - in teams -
a 10-15 minute film
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